The first image is how we first began to break apart the zoning of the stage. What does the delay look like in any given speaker if an actor is at any point on the stage? The second image is when we moved on to figuring out the routing inside the console to make the panning sound good and only to fade between 2 matrices instead of numerous buses. The use of delay-based panning helps us create a more natural feel for a show based in a time outside of modern-day technology.